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Canon N3 remote release connector information

Canon makes great digital cameras, but unfortunately their marketing department gets run of the place all too often. One such "improvement" has been in the area of remote releases; the newer Canon digital cameras all use the N3-style connector rather than the old-standard stereo 1/8" jack. The N3 connector is a 3-pin, snap-in that is a great solution to a non-problem, although I'm sure it does take up a little less depth on the camera body and certainly works fine.

As I understand it, almost all of the Canon SLR cameras have used a very simple interface for the remote release -- there is a common pin, a focus pin, and a shutter release pin. Connecting the focus and shutter release pins to the common pin seems to map closely to the behavior found when you press the shutter release button halfway or all the way down. The electrical aspect of things is identical, regardless of whether you have a an older camera with the stereo jack or a newer one with the N3 jack.

I heard someone describe molding their own connector with some sort of putty or hot glue on a forum (probably dpreview.com or photo.net), and I decided to copy that approach. It works relatively well, but I must admit that I finally needed the multiple exposure functionality on of the nice Canon TC-80N3 and bought one.

I took some pictures of the home-made remote release for long exposures that I built in May 2003. It works, but it doesn't snap in as well as the Canon one because the hot glue I used is too soft.

obtaining an N3 connector

You have three options that I know of here.
  1. Buy the whole remote release with an N3 from Canon
  2. Buy a cable from Canon with the connector on it and cut it off. Search on B&H for a Canon Remote Switch Adapter RA-N3 for EOS 1V, 1V-HS & EOS 3 Cameras, at the time of writing they cost $43.95.
  3. Purchase
  4. Build a connector yourself
I'm describing step #3 below.

how to make your own N3 plug out of hot glue and other stuff

Rough list of materials: Rough instructions for building the connector:
  1. First, solder some wires on your female pins and heat shrink some insulation around them so that they cannot touch each other. This is important because it's difficult to align the pins vertically inside the small jack, but you might be able to engineer a better way of doing this.
  2. Make sure you're comfortable spraying WD-40 or another lubricant inside the N3 jack on your camera. I was, but then again I'm pretty tough on some of my gear.
  3. Make a mask of some sort to protect most of the camera from the spray of the WD-40 (or whatever anti-stick stuff you want to use). Masking tape with a small hole cut in it to expose the jack is what I used, and I covered the rest of the camera with a piece of paper to protect it from overspray. Spray a light burst of WD-40 in to the jack to keep the glue from sticking. There are probably better approaches, and this may not even be necessary for some hot glues.
  4. Now, plug them on to the pins inside the jack. The order is not critical, as you haven't wired anything yet, but you might as well do it in some reasonable way. Fold the wires over as they come out of the jack so that your wires will hang down when the camera is oriented normally.
  5. Have a trusted assistant dump some hot glue in to the jack while you pray that they don't touch your fingers with the tip of the glue gun or the glue. Make sure that you get enough glue down there to really fill it, or else your connector will have trouble registering.
  6. Once the glue cools, try removing the connector. It should pop right out. If not, you could easily scrape it all out with a dental pick without any damage to the camera.

Wiring things up

As I said before, there isn't any real magic to the electrical operation of the remote releases. As long as you don't apply any external voltages to the pins on the camera I do not see how you could damage it, but your milage may vary :)

On my personal Canon D60 camera, I have experimentally found the pins to be such: View the camera from the side, with the top of the camera up. The pins are in a triangle, and the top one is the common. The lower left is the shutter release, and the lower right is the focus. I found this out by sticking my pocket knife in there and shorting pins until the camera either focused or took pictures. Do note that the schematic below shows the pins looking in to the jack on the camera; the little bump on the right is what keeps you from plugging things in backwards.

schematic of my home-made remote release

other useful links

Have questions?

This all works for me, but if you have any questions or suggestions I'd be happy to update this information. Alternatively, start a thread on one of the linkable online photography communities and I'll link to it here.

-Peter Jensen, a random photographer.

Last modified: Monday, 11-May-2020 09:50:14 PDT
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